Friday, March 26, 2010

Learn to Be Latina

Learn to Be Latina
Impact Theatre
La Val's Subterranean, 1834 Euclid Ave., Berkeley
Ticket cost: $12-20
Show runs to March 27, 2010
Running time is two hours and 10 minutes

Sitting in a small basement full of cobwebs beneath a pizza place where UC Berkeley students gather to shoot pool, do homework, and drink beer you would never expect to see a phenomenally written and directed play. Up and coming playwright Enrique Urueta did not have a wide variety of venue choices for his play Learn to Be Latina, but the talented cast made the intimate setting work.
Learn to Be Latina is a contemporary comedy that addresses issues of race, sexuality, and identity that seeks to offend and entertain at the same time. 22-year-old aspiring singer Hanan Mashulani, played by Carlye Pollack, brings her demo to a record label where she is told that she will not be marketable because she is Lebanese Will, Bill, and Jill, the label consultants, are vetoed by some kind of “ethnic advisor” Mary O’Malley. Mary O’Malley shines throughout the entire play with her blunt humor, awful Irish accent, Spanglish, and a Cuban hand puppet named Casatina. Mary decides that Hanan should be marketed as a Latina, completely ignoring her Lebanese roots, due to a personal vendetta we later learn of.
Mary points out that Latina artists Selma Hyek and Shakira are both of Lebanese descent yet their Middle Eastern heritage is never highlighted in the media. The music executives make terrorist references to Hanan’s ethnicity and take cover when she picks up her bag. Their comments are extremely racist but the audience cannot help but laugh at their ridiculous assumptions. Urueta calls attention to the tumultuous careers of Middle Eastern ethnic pop stars Tiffany and Paula Abdul, establishing a need to change the ethnicity of Hanan. After a “Latina boot camp” Hañan emerges as a international superstar who speaks little Spanish and takes on a Colombian heritage, that she later confuses with Cuban. She struggles with her identity throughout the play and her sexuality as well when she falls for “Office Bitch,” a.k.a the Chicana office secretary.
No minority group is exempt from Urueta’s humor. He pokes fun at Mexicans, black people, lesbians, gays, Latinos, women, and he even makes fun of white people calling them the “race-less” group. The characters use racial slurs, “politically incorrect” words, they cuss, perform sexual acts, do and say anything and everything to make us feel uncomfortable. As a resident of San Francisco and a product of pop culture, I was not offended. However, perhaps a more conservative, older audience would not have been a fan of Learn to Be Latina.
The small basement theater allowed for a relaxed setting where most of the audience enjoyed pizza, beer, and wine from La Val’s Subterranean (the pizza place above). The lighting was appropriate for the small space that was allotted for the stage, and the sound was just right. The costumes looked as though they were thought out, but perhaps needed to be a bit more flashy for Hañan’s role as a superstar. I enjoyed all two hours and 10 minutes of the up-beat, in-your-face dialogue, multiple dance performances, pop culture references, crude comments, and high energy performance. Overall, I think Urueta’s play was fantastically written and well thought out. His professional partner, Director Mary Guzmán did an equally amazing job at directing the actors and helped put Urueta’s words into action. Together, the two nailed it.
My Rating: ****

Rating:
* (Yawn)
** Still listening
*** Great acting and solid plot
**** Amazing acting, great storyline, and no one’s sleeping.

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